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May 21, 2014 1

Holocaust Denial Movement Welcomes New Eric Hunt Film

Eric Hunt, a Holo­caust denier known for attack­ing Nobel Peace Prize win­ner Elie Wiesel, released a new Holo­caust denial film on May 11 titled The Tre­blinka Archae­ol­ogy Hoax. eric-hunt-holocaust-treblinka-archaeology-hoax

Hunt’s new film, avail­able on YouTube, is a sup­posed “debunk­ing” of the doc­u­men­tary Tre­blinka: Hitler’s Killing Machine, which aired on the Smith­son­ian Chan­nel in the U.S. and Chan­nel 5 in the UK.

In The Tre­blinka Archae­ol­ogy Hoax, Hunt uses clips of Holo­caust sur­vivors’ tes­ti­monies from the USC Shoah Foun­da­tion Insti­tute for Visual His­tory and Edu­ca­tion (estab­lished by Steven Spiel­berg in 1994) to make his claim that gas cham­bers at Tre­blinka and Maj­danek, two camps Hunt vis­ited in mak­ing his film, were not used to sys­tem­at­i­cally kill Jews but rather were used as “life-saving shower rooms.”

Hunt sim­i­larly used such clips from sur­vivors in his pre­vi­ous films, includ­ing The Jew­ish Gas Cham­ber Hoax, which cre­ated buzz within the Holo­caust denial move­ment in March. He describes the USC Shoah Foun­da­tion Insti­tute for Visual His­tory and Edu­ca­tion as a “trea­sure trove for revisionists.”

Hunt pro­moted his film on the April 27 episode of Spin­gola Speaks, an online radio pro­gram hosted by anti-Semitic con­spir­acy the­o­rist Deanna Spin­gola. Hunt elab­o­rated on claims he pre­sented in The Tre­blinka Archae­ol­ogy Hoax, stat­ing that the Holo­caust is “a bla­tant hoax…a damned dirty hoax; it’s a big lie.”

While Hunt claims the Holo­caust is a “hoax,” he describes the death camps as “work camps” where the Jews got what they deserved. Hunt states that the Jews in the camps “were liv­ing off inter­est rates, usury, etc. and if you read Mein Kampf, of course, basi­cally Hitler said that they should be work­ing. They shouldn’t be liv­ing off peo­ple they’re scamming.”

In the inter­view, Hunt also calls for action against “the Holo­caust indus­try,” stat­ing, “I don’t under­stand why we don’t sue some of them. Why don’t we bring them to court and have them stand trial, have them explain them­selves?” He claims he has “actu­ally sued Spiel­berg over his Holo­caust lies.” Hunt also asks lis­ten­ers to con­tact Car­o­line Sturdy Colls, the foren­sic arche­ol­o­gist who appears in Tre­blinka: Hitler’s Killing Machine, and to “hold her account­able for her hoaxing.”

In both The Tre­blinka Archae­ol­ogy Hoax and in his inter­view with Spin­gola, Hunt alleges the sup­posed Jewish-controlled media has manip­u­lated pub­lic opin­ion to believe in the Holo­caust hoax as part of a larger con­spir­acy. Hunt also said that his next “doc­u­men­tary” will likely focus on this alleged Jew­ish con­trol of the media and will “blow the lid off of this Jew­ish Hol­ly­wood mafia involved in a lot of this propaganda.”

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April 29, 2014 3

Tehran Book Fair To Feature Works By Anti-Semites, Holocaust Deniers

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27th Tehran Inter­na­tional Book Fair

An annual book fair in Tehran, hosted by Iran’s Min­istry of Cul­ture and Islamic Guid­ance, is set to include domes­tic and foreign-published anti-Semitic and Holocaust-denying books, includ­ing the Pro­to­cols of the Learned Elders of Zion and works by noto­ri­ous Amer­i­can racist David Duke.

Pres­i­dent Has­san Rouhani is sched­uled to pre­side over the open­ing of the fair, the 27th annual Tehran Inter­na­tional Book Fair, at the Imam Khome­ini Grand Prayer Grounds on April 29. The fair will then be open to the gen­eral pub­lic from April 30 to May 10. Sev­eral high-ranking gov­ern­ment offi­cials will accom­pany Rouhani at the open­ing fes­tiv­i­ties, includ­ing Min­is­ter of Cul­ture and Islamic Guid­ance Ali Janati, the direc­tor of the fair Abbas Salehi, and Has­san Hashemi, the gov­er­nor of Tehran.

The book fair will fea­ture lit­er­ary works authored by Iran­ian, Arab and West­ern writ­ers. The fair’s selec­tion of Farsi-language titles include sev­eral books deal­ing with Zion­ism, alleged Jew­ish con­trol over Hol­ly­wood and the U.S. gov­ern­ment, and Holo­caust denial.

Among the books that will be offered, accord­ing to the fair’s web­site, is a Farsi trans­la­tion of the Pro­to­cols of the Learned Elders of Zion, the noto­ri­ous anti-Semitic forgery, and Iranian-authored books on Holo­caust denial, such as Half Hid­den: Legend-Building of the Holo­caust.

The list of anti-Semitic and Holocaust-denying books authored by West­ern­ers is dis­turb­ing. Among the books that will be fea­tured is Amer­i­can Holo­caust denier and anti-Semite Michael Hoffman’s The Israeli Holo­caust Against the Pales­tini­ans, and Jew­ish Suprema­cists (titled in Farsi: Holo­caust! A Report on the Depth of Jew­ish and Zion­ist Influ­ence in all Organs of the United States of Amer­ica) by David Duke. A trans­lated col­lec­tion of essays on the alleged exces­sive power of the Amer­i­can pro-Israel lobby by Amer­i­can aca­d­e­mic John Mearsheimer is also listed on the fair’s website.

Many of the anti-Semitic titles orig­i­nat­ing from the West will appear in trans­lated edi­tions for Iran’s Farsi-speaking audience.

In 2013, sim­i­lar titles, par­tic­u­larly Ara­bic trans­la­tions of the Pro­to­cols, appeared at inter­na­tional book fairs held in neigh­bor­ing Qatar and the United Arab Emi­rates.

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April 24, 2014 1

Holocaust Denial Film In Myrtle Beach International Film Festival

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Screen­shot from “Off Your Knees, Germany!”

The Myr­tle Beach Inter­na­tional Film Fes­ti­val, to be held in South Car­olina April 23–26, 2014, is fea­tur­ing a film about German-born Holo­caust denier and anti-Semite Ernst Zun­del.  Enti­tled “Off Your Knees, Ger­many!,” the doc­u­men­tary focuses on Zundel’s views and his two tri­als in Canada in the 1980s for “know­ingly pub­lish­ing false news” about the Holocaust.

Ingrid Rim­land, Zundel’s wife and a fel­low Holo­caust denier, pro­duced “Off Your Knees, Ger­many!” around 2011.  The film por­trays Zun­del as a vic­tim of Jew­ish inter­ests that allegedly con­spired to deprive him of his right to express his views on Germany’s actions dur­ing World War II. In the film, Zun­del denies that the Holo­caust ever took place and claims that Ger­many has been maligned by Jews. He asserts that he is try­ing to reclaim Germany’s honor. 

Zun­del argues in the film, “If I was a mem­ber of the Zion­ist lobby that has conned itself to a pin­na­cle of influ­ence and power in this soci­ety based on vic­tim­hood that they were hard­ened by, by my Ger­man peo­ple in the Sec­ond World War, I maybe would also hate a guy like the Paul Revere of the Ger­mans to come along and ring the bells of freedom.”

Although Zun­del was found guilty of spread­ing false news about the Holo­caust in 1985, the case was later dis­missed due to pro­ce­dural errors. A sec­ond trial in 1988 also led to a guilty ver­dict for Zun­del, but he was released from prison pend­ing an appeal. In 1992, the Supreme Court of Canada ruled in his case and struck down as uncon­sti­tu­tional the law ban­ning the spread of false news.

Zun­del left Canada to come to the U.S. in 2001 to join Rim­land. Since the mid-1990s, Rim­land has been pro­mot­ing Zundel’s writ­ings and phi­los­o­phy through Zun­del­site, one of the ear­li­est web­sites devoted to the reha­bil­i­ta­tion of Adolf Hitler and the denial of the geno­cide of Euro­pean Jews dur­ing World War II.

In 2003, U.S. author­i­ties deported Zun­del back to Canada on visa vio­la­tions. Two years later, Canada deported Zun­del to Ger­many, where he served five years in prison for incit­ing racial hatred and deny­ing the Holo­caust.  He con­tin­ues to live in Ger­many since his release in 2010.

Rim­land is pro­mot­ing the Zun­del doc­u­men­tary through a com­pany she formed called Soar­ing Eagles Stu­dio and Gallery, based in Ten­nessee. She is cur­rently try­ing to raise funds for the com­pany by request­ing spon­sors to help fund films, paint­ings and books that appeal to white suprema­cists and anti-Semites. The com­pany says it plans to fea­ture speak­ers, week­end sem­i­nars, exhibits, print pub­li­ca­tions, art and stage and video pro­duc­tions, all pur­port­edly in the name of pre­serv­ing and pro­mot­ing Euro­pean culture.

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