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May 21, 2014 1

Holocaust Denial Movement Welcomes New Eric Hunt Film

Eric Hunt, a Holo­caust denier known for attack­ing Nobel Peace Prize win­ner Elie Wiesel, released a new Holo­caust denial film on May 11 titled The Tre­blinka Archae­ol­ogy Hoax. eric-hunt-holocaust-treblinka-archaeology-hoax

Hunt’s new film, avail­able on YouTube, is a sup­posed “debunk­ing” of the doc­u­men­tary Tre­blinka: Hitler’s Killing Machine, which aired on the Smith­son­ian Chan­nel in the U.S. and Chan­nel 5 in the UK.

In The Tre­blinka Archae­ol­ogy Hoax, Hunt uses clips of Holo­caust sur­vivors’ tes­ti­monies from the USC Shoah Foun­da­tion Insti­tute for Visual His­tory and Edu­ca­tion (estab­lished by Steven Spiel­berg in 1994) to make his claim that gas cham­bers at Tre­blinka and Maj­danek, two camps Hunt vis­ited in mak­ing his film, were not used to sys­tem­at­i­cally kill Jews but rather were used as “life-saving shower rooms.”

Hunt sim­i­larly used such clips from sur­vivors in his pre­vi­ous films, includ­ing The Jew­ish Gas Cham­ber Hoax, which cre­ated buzz within the Holo­caust denial move­ment in March. He describes the USC Shoah Foun­da­tion Insti­tute for Visual His­tory and Edu­ca­tion as a “trea­sure trove for revisionists.”

Hunt pro­moted his film on the April 27 episode of Spin­gola Speaks, an online radio pro­gram hosted by anti-Semitic con­spir­acy the­o­rist Deanna Spin­gola. Hunt elab­o­rated on claims he pre­sented in The Tre­blinka Archae­ol­ogy Hoax, stat­ing that the Holo­caust is “a bla­tant hoax…a damned dirty hoax; it’s a big lie.”

While Hunt claims the Holo­caust is a “hoax,” he describes the death camps as “work camps” where the Jews got what they deserved. Hunt states that the Jews in the camps “were liv­ing off inter­est rates, usury, etc. and if you read Mein Kampf, of course, basi­cally Hitler said that they should be work­ing. They shouldn’t be liv­ing off peo­ple they’re scamming.”

In the inter­view, Hunt also calls for action against “the Holo­caust indus­try,” stat­ing, “I don’t under­stand why we don’t sue some of them. Why don’t we bring them to court and have them stand trial, have them explain them­selves?” He claims he has “actu­ally sued Spiel­berg over his Holo­caust lies.” Hunt also asks lis­ten­ers to con­tact Car­o­line Sturdy Colls, the foren­sic arche­ol­o­gist who appears in Tre­blinka: Hitler’s Killing Machine, and to “hold her account­able for her hoaxing.”

In both The Tre­blinka Archae­ol­ogy Hoax and in his inter­view with Spin­gola, Hunt alleges the sup­posed Jewish-controlled media has manip­u­lated pub­lic opin­ion to believe in the Holo­caust hoax as part of a larger con­spir­acy. Hunt also said that his next “doc­u­men­tary” will likely focus on this alleged Jew­ish con­trol of the media and will “blow the lid off of this Jew­ish Hol­ly­wood mafia involved in a lot of this propaganda.”

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March 13, 2014 5

Holocaust Denial Movement Abuzz Over The Jewish Gas Chamber Hoax Film

Update – March 19, 2014: The full ver­sion of The Jew­ish Gas Cham­ber Hoax has report­edly been removed from YouTube “as a vio­la­tion of YouTube’s pol­icy against spam, scams, and com­mer­cially decep­tive con­tent.” Hunt has since called on his sup­port­ers to repost the video, and it is cur­rently avail­able on YouTube again in four sep­a­rate parts.

Eric Hunt, a Holo­caust denier known for attack­ing Nobel Peace Prize win­ner Elie Wiesel, released a new Holo­caust denial film on March 5 titled The Jew­ish Gas Cham­ber Hoax, which is being widely pro­moted by other Holo­caust deniers.eric-hunt-jewish-gas-chamber-hoax

In the film, which describes the Holo­caust as “the great­est hoax of human his­tory,” Hunt uses clips of Holo­caust sur­vivors’ tes­ti­monies from Steven Spielberg’s 1998 doc­u­men­tary The Last Days and from the USC Shoah Foun­da­tion Insti­tute for Visual His­tory and Edu­ca­tion (estab­lished by Spiel­berg in 1994), por­tray­ing these tes­ti­monies as “fraud­u­lent.” Hunt used the same tac­tic in his pre­vi­ous film The Last Days of the Big Lie (2009).

On the March 8 install­ment of “Sat­ur­day After­noons with Car­olyn,” hosted by Holo­caust denier Car­olyn Yea­ger on The White Net­work, which describes itself as “Whites talk­ing to Whites about White inter­ests,” Hunt pro­moted his film to Yea­ger and The White Network’s audience.

Dur­ing the inter­view with Yea­ger, Hunt elab­o­rated on his the­ory that Jews use the Holo­caust “to jus­tify every­thing that they’ve done and are doing since World War II.” He con­tin­ued, “Their attacks on other nations keep grow­ing larger and larger, and they keep bring­ing up the Holo­caust.” He added that because of the “Jew­ish suprema­cist fairy tales,” the West is “essen­tially com­mit­ting sui­cide wor­ship­ping this hoax.” Yea­ger agreed with Hunt’s analy­sis stat­ing that the Jews “destroy things. They destroy peo­ple. They destroy whole peo­ple and nations. They destroy per­fectly good ideas.”

Later in the show, Holo­caust denier Charles Krafft, who received main­stream media atten­tion due to con­tro­versy over his Holocaust-themed art­work in Feb­ru­ary 2013, praised Hunt’s film, and Hunt thanked Krafft for being “instru­men­tal,” offer­ing his input “through­out the project.”

Hunt, Yea­ger, and Krafft then had a dis­cus­sion about pro­duc­ing more mate­ri­als, but lamented the fact that they lack funds. Krafft sug­gested that they seek fund­ing from Mus­lim nations stat­ing they should “get those oil sheiks that are sup­posed to be anti-Zionist to pony up.”

Krafft also rec­om­mended that Holo­caust deniers pro­duce more mate­ri­als like Hunt’s film to “cap­ture the imag­i­na­tions of these young hip­ster types with media rather than lit­er­a­ture,” adding that no one wants to read the long “schol­arly” Holo­caust denial works of years past.

Below is a sam­pling of some of the main points of The Jew­ish Gas Cham­ber Hoax:

  • There is “no evi­dence” of deaths from the gas chambers.
  • Holo­caust sur­vivors who gave eye-witness tes­ti­monies are “fraud­u­lent Jew­ish witnesses.”
  • The death camp Tre­blinka was not a death camp but rather a tran­sit camp where Jews were given “dis­in­fect­ing showers.”
  • “Zyk­lon B was actu­ally used to save Jew­ish lives.”
  • Bod­ies seen in actual footage from after the con­cen­tra­tion camps were lib­er­ated were the bod­ies of those killed by the Allies’ bomb­ing and not by the Nazis.
  • Gas cham­bers could not have existed because vic­tims of the gas cham­bers should have been “bright cherry red,” but Holo­caust sur­vivors sup­pos­edly more fre­quently describe the skin of vic­tims as blue or grey. Friedrich Berg, who pro­duced Hunt’s film, has an entire web­site ded­i­cated to this theory.

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